Forward the Foundation is the last  book Asimov wrote for his Robot/Foundation metaseries. It is the second book about Seldon’s efforts to develop his psychohistory science, a way of predicting the future using statistics. The events in the book take place after Prelude to Foundation and before the first book of the original Foundation trilogy. Like Prelude to Foundation, the book is mainly about the difficulties Seldon has in his research. He has enemies and opponents who make life difficult for him, and friends who can do little to help him. All this is set against a backdrop of a decaying empire.

It is an odd book, mainly because its just not a very good story. In fact, it is several stories in a row, each with the psychohistory development as their background thread, Seldon and a few others as main characters, and a continuing trend towards making Seldon’s goals seem more hopeless with each passing page. Seldon is able to overcome every hurdle through coincidences, which is also what brings the book to  a happy end in which he can set up things so that humanity is spared a thirty thousand year long Middle Ages.

Apart from the fact that this unlikely rescue seems to contradict the very idea of psychohistory, it also makes for an unsatisfying book. Except for Prelude, Asimov’s characters usually solve their problems using logic and ingenuity, which is what makes them so incredibly fun to read. Also very unsatisfying is the sudden disappearance of a few main characters without any kind of explanation or closure. If Asimov wanted the reader to feel Seldon’s loss, that is not the way to do it.

The story centres around Hari Seldon, who proposes a statistical way to predict the future of humanity, during a talk at a conference on Trantor, the Galactic Empire’s capital planet. The Empire’s aide Eto Demerzel, as well as the Emperor’s main challenger, the Mayor of Wye, both want to make use of this new tool to increase their power. Seldon convinces both that his proposal has a long way to go before becoming useful, but both insist that that isn’t necessary to make the common man believe that Seldon is some sort of oracle. Seldon meets a man, Chetter Hummin, who tells him that, rather than allowing him to fall in their opponent’s hands, Demerzel and Wye would rather kill him. Seldon, protected by historian Dors Venabili (female), in an attempt to escape them, starts travelling around Trantor, while trying to find out if his science can be made practical.

An an Asimov-story, this book contains logical discussions and unexpected plot-twists. However, they are too late, too little, and too predictable. The biggest problem with this book however is that it lacks direction. While looking for ways to develop his science, Seldon goes through a couple of episodes that make little sense. Venabili’s tenacity in protecting Seldon from any and all danger seems without reason either. She seems to have abandoned a successful career and a rich social life with far too little justification. And even though Seldon and she share many dangerous and intimate situations, there is no relational development between them at all.

As always with Asimov, all the answers come at the very end, but he gives us nothing during the rest of the book. In his other novels, false explanations that are nonetheless just as probable, are offered all the time, and it is this constant turning up-side-down of things that makes these stories compelling. It is a pity this book has almost none of that. With the badly worked-out characters of Seldon and Venabili, and an R. Daneel Olivaw who is a mere shadow of his former self, what remains is a book that leaves the reader with an unsatisfied sense of ‘who cares’, and which serves no purpose for itself. Instead this novel seems to be written only to fill in some story gaps and make Seldon aware of the events in the Robot novels.

Terminator Salvation, though fairly badly acted, is sufficiently entertaining and humorous. Its sets and effects are impressive. The terminators are more creepy, more relentless and way more beautiful than in the previous episodes. The ending of the movie was a bit awkward (not to say predictable), but necessary and in-character for lead character Marcus. It was kept short so it wasn’t annoying.

Salvation is much more an action/voilence movie than its predecessors. There is much less talk. Many things are explained, but you sort of have to pay attention (especially with Marcus’ big revealing scene in the computer room). One thing is a bit odd, though: Marcus is told by Skynet that he’s the only cyborg in existence, but mere minutes later we get to meet Arnie. Was it lying to him? If so, I’m unsure why.

This is also the first Terminator without any reference to time travel. I had hoped that at the ending Connor (or Marcus) would send both Arnie and Reese to the eighties, where they would meet Sarah Connor, thus starting the whole cycle. But apparently they left that for another movie. Just as well, Reese wasn’t old and experienced enough to become Michael Biehn, and now they can use the whole time travel thing as a desperate last move on the part of Skynet.

I am still left with one question though. Skynet wants John Connor. It uses Kyle Reese and Marcus to get to him. But why? Did it monitor his radio transmissions and decide he is dangerous? Or does it fear he will become fatal (to it) because the terminators that had travelled back to the eighties/nineties have told it? Come to think of it, maybe the whole point of John Connor making himself known through radio was to avoid this question altogether.

At last, there is salvation for all of us.